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東西方漢白玉欄桿的差別

時間：2017-12-16 09:42:26 點擊：次

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漢白玉欄桿的選擇上西方文化有西方的標(biāo)準(zhǔn)，東方文化有東方的標(biāo)準(zhǔn)，中國文化有中國的標(biāo)準(zhǔn)。中國文化的最高精神境界是所謂“道”。圣人言：朝聞道，夕死可矣。而道是什么？老子講：道隱無名。所以，圣人亦難聞道。

The choice of the white marble railings of western culture, western standard, Oriental culture has Oriental standard, Chinese culture China standard. The supreme spiritual realm of Chinese culture is the so-called "Tao". The saints said: "when he smells, the night is dead." And what is the Tao? Lao Tzu said: the Tao is unknown. So the saints are also hard to hear.

但，道法自然，所以，要得道，須見素抱樸。樸者，未經(jīng)加工者也。未經(jīng)加工的普通石頭能讓人見道，難怪中國古代境界很高的文人不拜佛而拜石。其實，石即是佛（圖5），也就是在普通的石頭上能見到中國文化的最高精神境界。

漢白玉欄桿

But, imitation of nature, so to win, Sumi Sopark. Portsmouth, without the processors also. Unprocessed stones can let a person see the road, no wonder China ancient high level and literati not Buddha worship stone. In fact, the stone is the Buddha (Figure 5), that is, the highest spiritual realm of Chinese culture can be seen on the ordinary stone.

由此可見，石文化在中國整個視覺文化中所處的至高地位。而現(xiàn)在國內(nèi)某些雕塑理論家強調(diào)石質(zhì)材料過時、老舊，跟不上時代的審美需求，實屬境界未到之言，不足為訓(xùn)。當(dāng)然，如果無人關(guān)照，僅僅是石頭，也還不能構(gòu)成藝術(shù)。

It can be seen that stone culture is at the highest position in the whole Chinese visual culture. Now some domestic theorists emphasize sculpture stone materials are outdated, obsolete, aesthetic needs to keep up with the times, it is not to the realm of words, not to be taken as an example. Of course, if no one is to take care of it, only a stone is not an art.

藝術(shù)漢白玉欄桿是對石頭的雕鑿和放置，所以稱為石雕藝術(shù)和石文化。石雕藝術(shù)以其材料的渾然質(zhì)樸和其技藝的巧奪天工最易達到中國藝術(shù)精神的體現(xiàn)，這是其它人造材料的雕藝所難以達到的。

The art of stone carving is a white marble railings and placed, so called stone carving art and stone culture. The stone carving art materials were simple and the skill of the most vulnerable to reflect Chinese Art beats nature. art spirit, this is other artificial materials carving art difficult to achieve.